Digital Camera Packages

Lumix GH-4

Panasonic DMC-GH4 4K Camera with Interface Unit, Matte Box and Follow Focus

Panasonic DMC-GH4 Digital SLR is a true hybrid camera designed to shoot 4k, 1080p and stills all onto SD cards. This large chip digital camera provides excellent quality 4k and 1080p video with a shallow depth of field similar to film, without the aliasing, audio or design problems typical of a SLR. Shoots native 4k with no scaling using the exact number of pixels required for the format. Provides cinema 4k 4096 x 2160 pixels (1.90 aspect ratio) at 24fps 100mbps using the whole width of the sensor. Also shoots 4k UHD 3840 x 2160 at 30p, 25p and 24p at 100mbps. Provides superior quality HD 1080p at 60p, 50p, 30p, 25p and 24p at 200 mbps (all intra), 100 or 50mbps as MP4 or MOV files. Also shoots AVCHD at all the above frame rates and 1080i. Variable frame rates up to 96fps are available. Interface unit converts this superb digital SLR to a full featured professional digital production camera. Includes all the features you would expect including XLR audio inputs with manual level controls and switchable phantom power, HDSDI and HDMI outputs switchable for 4k or 1080p, viewfinder and flip out screen, variable ASA and white balance, color bars, zebras and more. Also features 7 settings to create different looks including Panasonics Cine Like V and Cine Like D. All looks can be modified to your taste. Also outputs a uncompressed 4:2:2 10 bit signal through the HDSDI outputs to any type of recorder. Excellent for any project that needs high quality 4k or 1080p video with a shallow depth of field at a affordable price.

Panasonic DMC-GH4 Camera with Interface unit
Nikon lens adapter
Nikon lenses (All manual focus)
20mm f2.8
24mm f2
35mm f2
50mm f2
85mm f2

Bower Cine 16mm T2.2

Additional Lenses Available if needed:
Rokinon 14mm T3.1
Tamron 28-105mm f2.8 Zoom (Does not work with the Arri follow focus)
Vivitar 75-260mm f4.5 Zoom
Nikon 55mm f3.5 Micro

Baseplate with rods
Arri Matte box
Arri Follow focus
3 Batteries with charger for interface unit / camera combination. (over 12 hours runtime)
Panasonic BT-L1500 15″ Professional LCD Monitor with light stand mount.

Oconnor 1030 head
Oconnor 35L quick deployment tripod with midleg spreader
Peter Lisand baby legs with midleg spreader

ND .3, .6, .9, 1.2
Warm Pro-mist 1/8, 1/4, 1/2
White Pro-mist 1/8, 1/4, 1/2
Tobacco 1

Rode Shotgun mic with shock mount
Boom pole and holder.
2 Vanco Dynamic mics
2 Mic stands
2 Table Mic stands

I will be upgrading to a Panasonic GH5 when it is available. I’m committed to providing the best available digital package at a price all productions can afford.


JVC GY-HM200 4k Camera

This camera is ideal for Corporate videos, Concerts, Live Events or any job requiring a conventional video camera with a powered zoom lens. Includes a built 4.6-56mm f2-3.5 powered zoom lens. Features a 1/2.33″ CMOS sensor, fold out screen and separate viewfinder. Records 4k UHD Quicktime MOV files at 70 or 150Mbps at 24p, 25p or 30p and 1080p Quicktime MOV files at 50 or 35mbps at 24p, 25p, 30p, 50p, 60p, 50I or 60I. Also shoots AVCHD at 24Mbps at 50p, 60p, 50I or 60I. Uses inexpensive SD cards. Comes with external zoom control, 3 batteries, charger, tripods, monitor and audio equipment listed above.